End of 2018 Letter
END OF 2018 LETTER
December 6, 2018
Dear Friends,
I began this year with a single purpose: setting my terms
of engagement with a world that seems to
become increasingly unpleasant. All
that has transpired since January 1
convinces me that I made a good
decision.
2018 is an opportune moment to scrutinize and readjust terms of
engagement. Do not assume, on the basis of insufficient proof (either anecdotal
or empirical) that sympathy is a given ,an innate property, a
psychobiological reflex possessed by all human beings. Think critically.
Sympathy or compassion is ambiguous; it is at once necessary and
disabling. Some portion of it may be encoded in our DNA, and the remainder is
probably a result of how we are socially and culturally educated or
conditioned. Centuries of narrative direct us to such a conclusion. Those
same narratives inform us that sympathy is not constant. It is
variable. We have the option of not trusting sympathy, because it is often
a kneejerk response in times of extreme crisis, tragedy, or catastrophe.
Shakespeare's Portia lied beautifully in saying the quality of mercy is
not strained. In daily life as we know it, mercy is mutable. One
second after the reason for sympathy has abated, we may retreat into a
neutrality that is remote from sympathy.
As a writer, I think of
sympathy is a choice made by a billion cells regarding how to
effectively respond to another set of a billion cells. Cells are
clever. They differentiate weakness from strength, prudence from
foolishness. They affirm a well-known Machiavellian hypothesis: a
person who tries to be good all the time amongst so many who are bad is bound
to come to ruin.
If, out of Christian sympathy, one habitually forgives those who
use power and privilege to torment and/or murder one's people, is one an idiot
or a saint? How we answer that question tells us which we decided to be in 2018.
I've not totally abandoned hope, but I assign it a low priority in
my life.
It is more important to live against time, because as
I wrote in my blog of March 31 ----
On Wednesday, April
4, 2018, I shall remember an assassination on April 4, 1968. As I fly from New Orleans to Chicago, the
finality of death will monopolize my thinking.
The end is promised, and it never fails to deliver. I shall remember and protect myself against
the cultural amnesia that the Tribe of Trump bids our nation to embrace. I shall not forget. And I have yet to arrive at a point from
which I can forgive our nation for its dedicated barbarity. Although my mother's name was Mary, my
conception was not immaculate. My name
is Jerry not Jesus. I am not obligated to perform salvation on a cross.
To the extent that
I embrace a fluid, Roman Catholic understanding of how sin is constructed and
why it flourishes within the operations of capitalism, I am aware that I belong
to a sin-saturated Church , that I have citizenship in a nation wherein sin is
a palpable virtue. There is small profit
in being orthodox by any measure. Or, as I informed an audience at the 2018
Tennessee Williams Festival, no one is entitled to claim that she or he is
innocent. All Americans are complicit in the production of a United States
"history" (a speculative narrative
at best) that rewards sin (or a reasonable facsimile thereof) with delusions of
goodness. Blessed is the American who is
ignorant in the name of patriotism and who is capable of sinning without a
twinge of conscience. She or he will be
justly rewarded with Biblical blindness until death brings the shock of vision.
I survive what is
casually called "the times" by living against them, choosing my terms
of engagement with calculated discretion, and trusting no one without first
spending decades in reading the person's character. I survive by assuming that human beings are
fundamentally evil and that they have
the potential to be just and decent and
to do good things for the benefit of humanity.
Unlike a few of my friends who still hold fast to dreams of a better
future, I gave up the will to dream on April 4, 1968 when I heard Duke
Ellington announce, at a Tougaloo College concert in New York, that Martin
Luther King, Jr. was dead. His death
enlightened me about the hype of American hope.
After fifty years, I refuse to be bamboozled by it. I live against the times in a spiritual
location of actuality rather than in a secular address of reality. A death is a
death is a death.
The cost of maintaining sanity is high, and I do not
recommend my strategies for doing so to other people.
As 2018 neared its
end, I summarized my feelings in a poem that mocks George Frederick Handel's
oratorio "The Messiah":
Discomfort ye,
discomfort ye
My people saith
the godly ghost;
saith the
consecrated host;
cause ye discord
eternal;
and grunt unto it,
that genocide is
accomplished,
that holocaust is
rejected,
and cry unto it
warfare is anointed,
that its iniquity
is unctuous,
is death-light
pardoned.
The brazen trumpet
sweeps
in wilderness:
concludes chaos
with flowers of
evil so damned, so medieval.
Confirm chaos:
make crooked canticle
in space; in time,
warp for the godly ghost.
Discord shall
cheapen in the people's minds.
And petrify the
daughters and sons
of Gogmagog in
middle gassings
of virgin witches
in sugar ditches,
in middle passing
of windbag wigs of wheat,
of brain burned in paradise.
Discomfort ye,
discomfort ye
My people saith
the godly ghost;
saith the
consecrated host.
For unto them a
Beast is born,
unto them a
vengeful thing is given,
and the government
shall be eroded
in its mouth; and
its name
shall calcify
-----wunderbar,
ice-creamy
emperor,
wunderbar demonic lord,
wunderbar the everlasting father,
wunderbar the emblem of no peace.
After 75 years of living on Earth, I find that cynicism is useful and powerful for recognizing the
limits of being human as one discovers a few bright moments in work and in
rewards that arrive by fortunate accident.
For me, the latter
was receiving the 2018 Daryl Cumber
Dance Award for Lifetime Achievement
from College Language Association and a contract from Polity Press to
write a book on Richard Wright for its "Black Lives" series with the
blessings of Wright's oldest daughter Julia.
The other things I consider to be good and meaningful are 1) my serving
on the Community Advisory Group for the New Orleans Public Safety and Justice
Initiative and as an Election Commissioner for Orleans Parish, 2) my direct efforts to help adult male
inmates believe in their intelligence and humanity, 3) my correspondence with former students who now have something to teach me
and my conversations with the very small number of people who share my values ,
4) having conducted three courses -----"Richard Wright: Selected
Works," "African American Impact on Classic American
Literature," and "Five African American Writers" for senior
citizens in the People Program, and 5) works published
Print Publications
"Imperatives 2017." Xavier Review 38.1 (2018): 59.
"Growth."Bayou,
Issue 69 (2018): 77.
"Sarah Webster Fabio: (Re) Covering the
Rainbow." Valley Voices 18.1
(Spring 2018): 144-149.
Review of Lawrence P. Jackson's Chester B. Himes. JEAL 8 (2018): 122-125.
"Erasing." The
Griot: the Journal of African American Studies 37.1(Spring 2018): 101.
Blogs and Other
Writing. Lawrence, KS: PHBW/Jayhawk
INC, 2018.
"The Septuagenarians' Sankofa Dialogue." Kalfou
5.1 (Spring 2018): 112-141. [dialogue with Kalamu ya Salaam]
Reprint of "Uncle
Tom's Children Revisited ." Papers
on Language and Literature 44.4 (Fall 2008): 6-9
in Short Story Criticism, Vol. 253 (San
Francisco: Gale, 2018): 237-239.
Online Publications
"Tending the Mind," ARTS-TODAY 4.10 (January 28, 2018): 164-166
"Terms of Engagement," ARTS-TODAY 4.11 (February 22, 2018): 34-37.
"Richard Wright, Ralph Ellison, and a Jug of
Ancestors." Neworld Review 11.76
(2018).
"1968-Terms of Engagement," BKNation. 30 March
2018. bit.ly/2GpHgbr
http://bknation.org/2018/04/1968-50-years-later
"Epistle to the Humanists." ARTS-TODAY 4.12 (March 29, 2018): 160.
"Learning from Undergraduates." Africology: The Journal of Pan African
Studies 11.6 (April 2018):259.1
"To Live Against the Times." ARTS-TODAY 5.1 (April 28, 2018): 183
"African American Impact on Classic American
Literature." ARTS-TODAY 5.3
(June 24, 2018): 42-44.
"Sound Poems in Early Modern Urixiza."
AllPoetry, July 26, 2018
http://allpoetry.com/page=1
"On Presentism." ARTS-TODAY 5.4 (July 27, 2018): 44-45.
"Implacable Violence, Part One." PHBW website.
August 27, 2018.
"Twain's Macroaggressions." Neworld Review 11.79 (2018)
http://www.neworldreview.com/Vol.-11.No-79/criticism/php
"A Moral Crisis in New Orleans." Konch
(Fall 2018), n.p.
https://ishmael-reed.squarespace.com
"Three American Poets." ARTS-TODAY 5.5 (August 26, 2018):112-114.
"Viewing Cane
River." PHBW website. October 29, 2018.
Review."The
Life and Work of Etheridge Knight by Terrance Hayes." Neworld Review 11.81 (2018)
In the final weeks of December, I am trying to fulfill some promises as I
devise terms of engagement for 2019, the arming of Self with the power of
language to decimate imps of uncertainty.
With best holiday wishes for you and your families,
Jerry W. Ward, Jr.
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