Literacy as a tool to combat incarceration
LITERACY AS A TOOL TO COMBAT INCARCERATION
Each mouth can liberate its own story.
One of the adult prisoners at Orleans Justice Center
(OJC) whom I'd been helping to prepare to take the HiSet Exam in order to earn
his high school equivalency certification handed me an essay entitled
"Alone." It was not a required
assignment. He wrote the piece as a way
of dealing with his experience of trauma.
It was an excellent first draft,
and I urged him to submit it to Peauxdunque
Review. The editors loved it, and it will be published in a forthcoming
issue. A gifted writer, the prisoner
used literacy as a tool to combat the agony of incarceration. He used
literacy and creative thought to tell his unique story and deepen awareness of why "incarceration" is as
much a mental state as a physical one.
Awed by his unbridled honesty, his courage and
bravery, I wrote a kwansaba for him:
ALONE
(a kwansaba for Prisoner # _______)
Alone, when you alone, speak of alone
as spasms of light in black holes.
Or else, alone, you visit unknown dread,
itself alone in a blood black fist
that pounds against even odds of fate.
Did you ponder, alone, how your spirit,
being an egg, alone refuses to crack?
Since unrecorded time,
I suppose, incarcerated people have used literacy to deal with their
plight ----confinement, the burdens of anger, guilt, and shame, segregation
from people who are nominally "free," obligation to pay for acts that
are deemed criminal, and, in the most tragic instances. paying with their lives
for acts which it may eventually be proved they did not commit. Their stories
liberate us from thinking too narrowly about the nature of incarceration.
For example, Frederick Douglass's 1845 autobiography and
other life histories narrated by enslaved
people; Austin Reed’s “The Life and Adventures of a Haunted Convict, or the
Inmate of a Gloomy Prison,” dated 1858; the 1930s prison stories written by
Chester Himes; Richard Wright's Native Son; The Autobiography
of Malcolm X; the prison writing
of George Jackson (which should be read in concert with Antonio Gramsci's Prison Notebooks); the poetry Etheridge Knight wrote in prison
----all of these works expand ideas about how incarceration is socially
constructed. Michelle Alexander wrote The New Jim Crow: Mass Incarceration in the
Age of Colorblindness (2010) specifically for "people who care deeply
about racial justice but who, for any number of reasons, do not yet appreciate
the magnitude of the crisis faced by communities of color as a result of mass
incarceration" and "for all those trapped within America's latest
caste system"(quoted from her Preface). Her book engenders ideas that pertain to
links between the laws and policies which defined American slavery and the
current inequities (read inequity as iniquity) that define what we call
criminal justice. From the angle of literacy and literary/cultural history, Patrick Elliot Alexander's From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New
Neo-Slave Novel (2018) is a superb treatment of imprisoned intellectualism
in James Baldwin's If Beale Street Could
Talk, women's imprisonment in Toni Morrison's Beloved, the slave ship/supermax configurations of Charles
Johnson's Middle Passage, and the
humanistic meditation on the carceral aesthetic in Ernest Gaines's A Lesson Before Dying. Indeed, many African American writers have
created models of how literacy might be
used to combat incarceration.
Thus, we might note two points about literacy as a tool
or weapon to combat incarceration:
1) It is a tool that enables prisoners to demonstrate
their innate intelligence and humanity and to minimize a few of the inevitable
frustrations of being in jail.
2) It is a tool to combat forms of mental incarceration
which seem to be rampant in the 21st century.
When we ponder the metaphorical dimensions of the concept
of "incarceration," we may recognize that all of us are
incarcerated by something in everyday life.
Criminal justice is a microcosm of the larger systems of human thought
and existence. If we arrive at such
recognition, we may be moved to have compassion for those who made unwise
choices and defied the rule of law. We
may be moved to do more than just talk about the material differences of
incarceration. In the name of social
justice we may persuade ourselves to invest some of our energy in action rather
than speech.
The Gifts of Black Prisoners
Just as DuBois’s The
Gifts of Black Folk (1924) is overshadowed by The Souls of Black Folk (1903 ), the long shadows of our classic
slave narratives obscure the importance of studying other autobiographical
forms in efforts to write more expansive histories of how African Americans
have used literacy and literature or black writing in English since the 18th
century. Accidental “discoveries” of lost
materials are special moments in the growth of scholarship, enabling us to enlarge
the body of black writing and to conduct archival projects to refocus our
perspectives. Julie Bosman’s article Prison
Memoir of a Black Man in the 1850s - NYTimes.com notifies us that a special moment is in the
offing.
The Beinecke Rare Book & Manuscript Library’s
acquisition of Austin Reed’s “The Life and Adventures of a Haunted Convict, or
the Inmate of a Gloomy Prison,” dated 1858, is a great find if the memoir is indeed authentic and not
a parody written by a white prisoner or white prison guard in the 1850s, by a
person who wished to exploit the popularity of slave narratives. We do not need
yet another example of bogus black writing.
We are still in a state of uncertainty about whether Hannah Craft’s The Bondwoman’s Narrative is truly what
we have been told it is. We do need a 19th century bit of prison writing that
is beyond dispute, that can be analyzed in some framework of African American
autobiography and set against the literary/non-literary qualities of, let us
say, George Jackson's Blood
in My Eye and Soledad
Brother: The Prison Letters of George Jackson and other writings by
the imprisoned (e.g. the early poetry of Etheridge Knight). It is better to err in the direction of
extreme skepticism than to be duped.
Contemporary
literary and cultural studies often play deadly games with African American
intellectual property, and I think it is prudent for the Project on the History
of Black Writing to issue a caution regarding what Bosman described as “the
first recovered memoir written in prison by an African-American.” Thus, I sent
the following e-mail to Professor Caleb Smith:
From:
|
Jerry Ward (jerry.ward31@hotmail.com)
|
Sent:
|
Thu 12/12/13 1:56 PM
|
To:
|
caleb.smith@yale.edu
(caleb.smith@yale.edu)
|
Dear Professor Smith:
As a member of the Project on the History of Black Writing advisory board, I was pleased to read in today's New York Times that you will prepare Austin Reed's manuscript for publication. This project extends, and perhaps deepens, your previous studies of incarceration. I am confident you will provide judicious contextualization for our analysis and interpretation of the memoir. Those of us who have special interest in African American literacy and literature welcome the challenge of dealing with the literary and non-literary aspects of "recovered" works. This example of 19th century prison writing raises questions about autobiography in general and African American autobiography in particular and about how the genre functions in a multi-layered national literature.
I do hope that Christine McKay and others used the most exacting scientific principles in establishing the authenticity of the memoir for the Beinecke. What we do not need is to discover, after publication, that the memoir is a devastatingly clever imitation of 19th century black writing. Use of the most rigorous standards of authentication and bibliographic or textual scholarship must provide the evidence that inspires confidence.
Please accept my thanks for your helping us to create more precise literary histories of African American writing.
Sincerely yours,
Jerry W. Ward, Jr.
Distinguished Overseas Professor
Central China Normal University (Wuhan)
As a member of the Project on the History of Black Writing advisory board, I was pleased to read in today's New York Times that you will prepare Austin Reed's manuscript for publication. This project extends, and perhaps deepens, your previous studies of incarceration. I am confident you will provide judicious contextualization for our analysis and interpretation of the memoir. Those of us who have special interest in African American literacy and literature welcome the challenge of dealing with the literary and non-literary aspects of "recovered" works. This example of 19th century prison writing raises questions about autobiography in general and African American autobiography in particular and about how the genre functions in a multi-layered national literature.
I do hope that Christine McKay and others used the most exacting scientific principles in establishing the authenticity of the memoir for the Beinecke. What we do not need is to discover, after publication, that the memoir is a devastatingly clever imitation of 19th century black writing. Use of the most rigorous standards of authentication and bibliographic or textual scholarship must provide the evidence that inspires confidence.
Please accept my thanks for your helping us to create more precise literary histories of African American writing.
Sincerely yours,
Jerry W. Ward, Jr.
Distinguished Overseas Professor
Central China Normal University (Wuhan)
Professor Smith graciously answered within a few hours,
assuring me that “The Reed manuscript really is a haunting
text. We have worked very hard to piece together the facts of Reed's life and
the circumstances of his writing. I expect that the publication will be just
the beginning of a long conversation.” (Email from Smith to Ward, December 12,
2013) We should anticipate that the
“long conversation” will give birth to a rich discourse about genres, the
possibility of deconstructing incarceration
as enslavement in American historical
contexts, canons, and the aims of scholarship inside and beyond the fragile
boundaries of American higher education. We may, despite ourselves, be once
more enlightened by the gifts of black prisoners and by the assertions of
Americans who do not know the kinship they share with the imprisoned.
A Bit of Evidence
(May 10, 2018 Exchange)
Enlightenment
is good, but direct action is better, especially if the incarcerated person is
65 years old.
GP to JWW
Dear Mister
Ward
I gave as much as I had, trying
to get ready for the Hiset Exam.
But I know my
limatations. My failure done'nt come
from you as a teacher.
But from me
being an over age student.
I thank you
for everything that you have given me.
I have always
said that I came here with nothing; But I leave with so much.
GP
JWW to GP
Dear Mr.
P_______:
I refuse to accept
your decision to abandon preparing for the HiSet Exam on the grounds that you
are an
"over
age" student, Had our great, great
grandparents said "We are too old to year for freedom," it is likely
that you and I would be enslaved males on a plantation of somewhere. I refuse to condone your failing
yourself. I do not deem your excuse
regarding age to be either necessary or sufficient. While your rate of learning differs from the
rates of others in our group, you do still have the capacity and capability of
learning.
If you are
determined to not take the HiSet Exam, I may not be able to persuade you to
change your mind. I do demand, however,
that you use the intelligence given to you by your parents and your ancestors. I am willing to compromise. I am willing to work with you on improving
your reading and writing skills, to help you do something positive with your
accumulated experiences. I am willing to
help you to become a more competent writer and a more astute reader. You can remain within the group and focus
only on the writing and reading portion of the HiSet Exam book. Your ability to express your ideas is too
important to waste.
I expect you
to continue participating in our sessions.
Sincerely
yours,
JWW
Let Us Now Volunteer
In our nation many people and organizations try to
promote literacy, because they rightly argue that being more than functionally
literate may reduce the likelihood of a person being entrapped by some vicious
designs that are systemic in the American system of criminal justice. Such intervention can benefit those who are
targets of a less than blind system . It
is essential to promote literacy among the young, to supplement the work that
often is not done in many of our public
and charter schools. There are no guarantees, however; there are only
possibilities. In the case of people who
are already entrapped and incarcerated, we can volunteer to work in jails and
prisons, to use our literacy to help them and their families to become more
empowered and more knowledgeable about navigating the terrain of incarceration . Our volunteering to work in sites of
incarceration is a moral use of time, and so too is working with those who do
need help to re-enter society and to
resist the temptations of recidivism. We do well to help the incarcerated to
maintain faith in themselves.
There are risks, psychological risks, which we must be
clear about when we volunteer to help with improving literacy inside and
outside of prisons. The more those of us
who believe ourselves to be free understand about metaphorical incarceration,
the better. We can probably use that
understanding to think critically about what literacy is in contemporary American society, what are its limits, how it
can be misused, and then move with our eyes and minds wide open as we make
ourselves advocates and agents of literacy. Literacy as a tool to combat
incarceration is also a tool for enhancing our own humanity and developing a
deeper respect for the humanity of
others.
Jerry W. Ward, Jr. November 19, 2018
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