January 20, 2018
January 20, 2018: The Fiction of Our Non-Fiction
If we do want to write
fiction set in the world in which we live, it is useful to study the works of
authors who do have an ear for dialogue, for the locutions people use, for the
accidental poetry with which humans express and conceal their thoughts and feelings.
Francine Prose, Reading Like A Writer: A Guide For People
Who Love Books And For Those Who Want To Write Them (2006)
For
people who have the need and/or the desire to find respite, however brief, from
the disasters, death-oriented plots, and various terrors of living, the study of accidental poetry has
purpose. Prose has a point. That quite
"literary" point is nicely
complemented by Lisa Zunshine's Why We
Read Fiction: Theory of Mind and the
Novel ( 2nd ed., 2012), a "cultural" study based on some findings
of cognitive psychology. Prose and Zunshine would probably agree that we can learn to craft languages, to lose cares in bright moments. The human
condition, the nature of existence, and the limits of psychology ensure that
the moments of pleasure have a short
life. The way of the world demands that we give more sustained attention to the
grim fiction of our non-fiction. It is
suicidal to live in dreams, either in the myth of the American Dream or its
confirmation in Martin Luther King, Jr.'s "I Have a Dream." Our survival depends, in part, on our
dispassionate analysis of how thoroughly fictional non-fictions can be.
Moreover,
not everyone is predisposed to seek respite.
Indeed, a few people seek out agony. They batten on it, and try to
persuade themselves and others that surviving it is some kind of wonderful. Ideologues, politicians, journalists and
television commentators devote considerable energy to the
neo-conservative/neo-liberal games of deception that mark commerce with the fiction
of non-fiction. The world in which we
live is saturated with deliberate poetry.
Agony begets agony because it loves company the way some American
citizens love books. It is o.k. to like
books and to use them as the tools they are.
Loving books may suggest that we lack stable genius.
If one wants to be intelligently radical in the Age of Trump, one joins Tina
Turner in singing "What's Love Got to Do with It?" rather than
allowing oneself to be narcotized or driven stone blind by Louis Armstrong's excellent rendition of
"It's a Wonderful World." January 20, 2018 will help us to take account
of all -----I do mean ALL ----that
has transpired in this world since January 20, 2017. And as we prepare to
listen to a State of the Union address on January 30, 2018 (anticipate very
great fire and fury and imaginative dissembling) , the fiction we should explore for its sobering incorporation of both
accidental and deliberate poetry is not American. It comes to us from antiquity by way of
superb satire attributed to one Petronius Arbiter ----the Satyricon.
Jerry W. Ward, Jr. January 13, 2018
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